If the video below whetted yr appetite for more of Dr. Shankar's magnificent slide playing, the get yr arse to this here website, where you can stream the whole of her (only, as far as I know) album*. It's pretty fucking stunning, to say the least, and has the added advantage of a tabla player who doesn't drown out the fucking lead instrument. Jack Rose would have fucking loved this.
*If anyone, anywhere knows where I can procure a copy, please fucking tell me, because I'm stumped and that doesn't happen often.
Showing posts with label Hindustani classical music. Show all posts
Showing posts with label Hindustani classical music. Show all posts
Tuesday, 11 October 2011
Monday, 10 October 2011
Flipado
Continuing my twin obsessions of slide guitar and Indian classical music, here's an absolutely stunning performance by Dr. Kamala Shankar on the Shankar veena (her own design, essentially a hollow-neck hawaiian guitar with 12 sympathetic strings and two drone strings*) which contains some of the best slide playing I've ever heard in my life, and I've heard a fuck of a lot, believe me.
Fuck I wish I could play like that. There's another three parts to this performance at youtube which are also very good, but the tabla player is too fucking loud which is why I haven't posted them here.
*Yes, of course I want one.
Fuck I wish I could play like that. There's another three parts to this performance at youtube which are also very good, but the tabla player is too fucking loud which is why I haven't posted them here.
*Yes, of course I want one.
Sunday, 25 September 2011
Quiero Una Veena
Ideally I'd like two, a vichitra veena and a rudra veena, but then again, I'm a greedy fucking bastard sometimes. Anyway as I don't own either of those two fucking astonishing instruments, and would probably do something deeply fucking wrong with them if I did, here's some proper masters of Hindustani classical music giving it the beens* on those venerable instruments. I should say, if you lack patience you may not want to stick around for the alap sections as they can make Earth sound like speed kings, and fast forward to the fireworks in the latter stages of the performances as they are quite long... Me, I love the snails pace abstraction of the alap, and chance it gives the musicians to dig deep into the sonority of their instruments and the chosen raga before the slowly accruing acceleration and increasing density of the playing and almost telepathic interaction between the musicians makes the listeners head explode at the level of speed and invention on display.
First up is Gopal Shankar Misra's** beautiful rendition of raga Multani on the vichitra veena, the ultimate acoustic bottleneck/slide instrument (on this planet anyway), and the one I covet the most. One day... Anyway, sorry there's no actual footage, but all the vichitra veena videos I can find are pretty short, and this is music so fucking good I can't justify just posting a little bit.
Fortunately, youtube is a little more forthcoming with fantastic rudra veena performances, especially these fucking beauties from Bahauddin Dagar*** and Asad Ali Khan, who both approach the (insanely unwieldy) instrument in very different ways, but both share a fondness for an almost motorik intensity and drive when things get fast.
So here's Bahauddin Dagar playing raga Kousi, one I'm particularly fond of ripping off as there's something inherently spacerock about it when you really go to town on it, and also because, well, just listen to the sound of that fucking thing, the man is a fucking genius. And he does sport a superb gentleman thief's moustache. This is in three parts unfortunately, and whoever uploaded it missed the end, but fuck it, this is way too fucking good not to post, and I couldn't be arsed to download 'em and stitch 'em together.
And finally, the late, great Asad Ali Khan playing ragas Asavari and Dabari, and presenting a more percussive, jawari laden approach than Dagar's almost feedback-like use of resonance and low end. This is also fucking jaw-dropping, I mean, I am in total fucking awe of all three musicians I've featured here, but this is scary fucking good.
I hope you enjoyed the first episode of Yes, I Am Obsessed With Veenas, What Of It? Coming next time, southern India and, wait for it, more types of veena.
*This is both the shittest, and most obscure pun I've yet used in a post. I'm not sorry and I'll do it again.
**If you like this, get his only album, Out Of Stillness (Real World). Yes, it's on Real World, and yes, the cover is a truly horrible 90s oversaturated "spritual"/new age cackjob, but the music is truly fucking sublime.
***A surname in Indian music which pretty much guarantees that the music will be astonishing, regardless of instrument.
First up is Gopal Shankar Misra's** beautiful rendition of raga Multani on the vichitra veena, the ultimate acoustic bottleneck/slide instrument (on this planet anyway), and the one I covet the most. One day... Anyway, sorry there's no actual footage, but all the vichitra veena videos I can find are pretty short, and this is music so fucking good I can't justify just posting a little bit.
Fortunately, youtube is a little more forthcoming with fantastic rudra veena performances, especially these fucking beauties from Bahauddin Dagar*** and Asad Ali Khan, who both approach the (insanely unwieldy) instrument in very different ways, but both share a fondness for an almost motorik intensity and drive when things get fast.
So here's Bahauddin Dagar playing raga Kousi, one I'm particularly fond of ripping off as there's something inherently spacerock about it when you really go to town on it, and also because, well, just listen to the sound of that fucking thing, the man is a fucking genius. And he does sport a superb gentleman thief's moustache. This is in three parts unfortunately, and whoever uploaded it missed the end, but fuck it, this is way too fucking good not to post, and I couldn't be arsed to download 'em and stitch 'em together.
And finally, the late, great Asad Ali Khan playing ragas Asavari and Dabari, and presenting a more percussive, jawari laden approach than Dagar's almost feedback-like use of resonance and low end. This is also fucking jaw-dropping, I mean, I am in total fucking awe of all three musicians I've featured here, but this is scary fucking good.
I hope you enjoyed the first episode of Yes, I Am Obsessed With Veenas, What Of It? Coming next time, southern India and, wait for it, more types of veena.
*This is both the shittest, and most obscure pun I've yet used in a post. I'm not sorry and I'll do it again.
**If you like this, get his only album, Out Of Stillness (Real World). Yes, it's on Real World, and yes, the cover is a truly horrible 90s oversaturated "spritual"/new age cackjob, but the music is truly fucking sublime.
***A surname in Indian music which pretty much guarantees that the music will be astonishing, regardless of instrument.
Subscribe to:
Posts (Atom)